Category: Emerald City Comicon 2008

ECCC ’08: Podcast Interview with Brandon Jerwa

We have another special Pop Culture Zoo Podcast for you, this time with Brandon Jerwa. Brandon is currently writing one of the hottest properties in comics, “Battlestar Galactica”. However, Brandon gets to go one step better as his series takes place before the TV Mini-Series that launched the re-imagined, modern version of the show. Published by Dynamite Entertainment, Battlestar Galactica: Season Zero is a really fun read, especially if you’re a fan and avid viewer of the TV series. We caught up with Brandon at this year’s Emerald City ComiCon and talked to him about Season Zero as well as his past work on Highlander and G.I Joe, while also touching on what the future has in store for him. Give it a listen and let us know what you think.


ECCC ’08: Interview With Rick Remender

An alcoholic Texas spaceman. The last of the superheroes in a world in which the supervillains have prevailed. Zombie porn. These are but a few of the concepts that have been born from the fertile mind of writer/artist Rick Remender. At this year’s Emerald City ComiCon we sat down with this innovative creative and had a little chat.

PCZ: How has the convention season been going for you?

RR: Great! This is a really great show. Its my third year doing Seattle (ECCC) and I wouldn’t miss it. Its a great event.

PCZ: You announced at the Dark Horse panel yesterday that there are some new changes with End League.

RR: Yeah, Eric Canete and Naomi Baker are taking over as the art team and I couldn’t be more excited about it. They’ll start with issue five and we’ll be going monthly from that point. Eric is leaving his job as art director for Ben 10 to do the book, so we’ve got one of the most talented guys in the world coming on. We’re looking to move forward with the book on a regular basis.

PCZ: Fear Agent also looks to be changing with the addition of Tony Moore.

RR: Right. Tony’s first issue is about done and its great. We’re doing sort of a sci-fi western thing with it. We’re trying to incorporate some of the things we love about Sergio Leone, the spaghetti western, things like that. That will start I believe in June, which is Fear Agent month at Dark Horse. So, we’ve got a lot of promotional things going on at the same time. There’s a sketch variant cover. The Tales of the Fear Agent trade just came out, which is a collection of shorts and one-shots, with a brand new cover by Eric Powell.. we’re pretty proud of that.

PCZ: How has the move been to Dark Horse? You spent a bit of time working with Image previously.

RR: It’s been great. It was a smooth transition and everyone has been great.

PCZ: What was the reason for the move over to Dark Horse?

RR: It was a number of things. Mostly, it came down to after market and secondary media stuff that Mike (Righardson) was going to be involved with. It was simpler just to have him control the property.

PCZ: You are still working with Image on Crawl Space though. What is up next with that?

RR: We’re doing Army of Frankenstein next. It is basically the first ten minutes of the Terminator film, but instead of robots its of Frankenstein monsters. Its World War I trench-warfare with armies of Frankensteins. As the humans are wiped out, Igor robots burrow up from underground, collect the body parts and go back to the lair of Frankenstein to create more soldiers.

PCZ: That’s gotta be demoralizing.

RR: (laughs) Yeah, it is. As humanity is eroded away there are more and more Frankensteins and they are taking over the earth.

PCZ: Your work is so high-concept. Where are these ideas coming from?

RR: I don’t know, it’s mostly stuff from a visual place. As an artist I think about what I would like to see. Comic books are such a visual art form. I feel that if you don’t have something that’s visually enticing to people, something captivating and interesting or something that they recognize but maybe haven’t seen before… if you don’t tap into that then you get lost. Its the same in film, its the same in entertainment in general. I think that it starts with iconic visuals and sort of from there it develops. I wanted to do an army of Frankenstein monsters and so Keiron and I sat down and started batting around ideas and decided “Wow! That would work!” Usually with Fear Agent, it starts from a stance of… this is an aesthetic that I want to work in, here’s the style of character, what would be the best way to handle it?

PCZ: You have a history in animation. Have you ever wanted to return to doing artwork?

RR: The last thing I did was the Last Christmas with Gerry (Duggan) and Brian (Posehn) which came out a couple years back. I pencilled that and Hillary (Barta) inked it. Its currently being developed for a film, they’ve written the screenplay. That was the last thing I drew and then the writing just took off at such a pace that I derailed myself. You never know what’s going to happen. I was in a situation where I was writing stuff and storyboarding at EA and writing a game at EA… the comic book stuff exploded. On the writing end, I just haven’t had time to draw. My stuff is fairly Wally Wood and Will Elder inspired cartooning anyway, so its not necessarily in vogue with the what the majority of comic fans want. There’s the cult group that really enjoy the oldies and stuff… so I do it for myself now more than anything else. Most of my time is spent making other bastards draw my silly ideas.

PCZ: Now that your working with Dark Horse, have you thought about trying to work with another of their properties? Something that already exists, like Hellboy for example…

RR: Yeah. Eric Powell and I have put together a treatment for a Fear Agent/Goon crossover that we’ll get to at some point. We’ve got a Fear Agent/Aliens thing that we’ve been talking about forever and just need to put together. At this point my career is perfect, you know? I’ve got three or four creator-owned things between Image, Dark Horse and IDW. And then I’ve got a book with Marvel and DC. Everybody has been great. Its like that Simpsons episode where, before Maggie was born, Homer is walking around praying to God and saying “Don’t change a thing!” Its nice in that I’ve finally got all my ducks in a row and I get to work on plenty of creator-owned (projects) while also working in the sandboxes of the characters I grew up with as a kid. The stuff that comes up at this point… I can’t really do anything else. I’m just sort of… whole.

PCZ: It must be cool to be in that position, where you’re content with everything you are working on.

RR: Yeah, and overbooked! I’m really grateful for it.

PCZ: Will you be attending other con’s this season?

RR: I’m doing San Diego but I won’t be setting up. I’ll just be doing signings with Image and Dark Horse, maybe Marvel and DC as well since I’ll have a number of books out. It makes more sense with a show like that, which has become more of a media-centric star-fuckfest, where people want to get a Nick Cage signature. Its not a comic show. Its better just to go there and do some signings and hang out with friends, treat it as a bit of a vacation. I did New York, which is a great show. I did Wonder-Con, which is always a great show. I think that the medium shows are now the ones to do for comics. I hit Heroes Con the last couple of years but I’m not sure if I’m making that this year. I think Heroes, New York, Seattle, San Fransisco… those are the four that I’ll always try and make room for. And then San Diego and Chicago on the side, if its possible.

Thanks to Mr. Remender for taking the time out of his busy convention schedule to chat with us! You can learn more about his projects, both past and present, at!

– interview by Ian Southworth

ECCC ’08: Catching Up With Robert Kirkman

If Robert Kirkman knows one thing, its how to stay busy. These days the ‘Marvel Zombies’ scribe is firing on all cylinders with his comics being produced by both Image and Marvel. ‘Walking Dead’ and ‘Invincible’ are hitting issue #50, ‘Astonishing Wolf-Man’ is going monthly, he just finished up a successful run with ‘Ultimate X-Men’… and then there’s that little Killraven side-project with Rob Liefeld. Despite this multitude of projects, Kirkman was able to take a bit of time to make an appearance at the Emerald City Comic Con in Seattle, Washington. We caught up with him for a brief Q & A session about all the current happenings in Kirkmania.

PCZ: First off, let me say that I’m a huge fan of ‘Wolf-Man’. I picked up the Free Comic Book Day issue and saw your name on it and initially, I didn’t know what to think. The art seemed very… Saturday-morning-cartoonish. But I read the first few pages and was just blown away. How has the reception been to ‘Wolf-Man’?

RK: It’s been received very well. It was a Free Comic Book Day comic, there were hundreds of thousands of copies of (the first issue). So, the book has been very well received. I think it was issue one or two that had more fan mail than I’ve ever gotten for a series. I’m having a lot of fun doing the book. We’re going monthly starting with issue eight in July. We’re going to ramp up production and put it out more often.

PCZ: Are you looking to maybe add more monsters into the ‘Astounding Wolf-Man’ series? You’ve already included vampires and werewolves…

RK: I don’t know. I don’t think we’re going to include like, Frankenstein’s Monster… it’s not going to be like Van Helsing. But it is a universe where that kind of stuff exists and we’ll be showing more of it as we go on. It could be a lot of fun.

PCZ: So, Wolf-Man will be involved in the ‘Monster Pile-Up’ issue coming up this summer, right?

RK: Yeah, he’ll be in it. There will be a new story that takes place between issues seven and eight that will appear in the ‘Monster Pile-Up’, which is shipping in August.

“The first page shows the main character punching a hole through somebody’s head. Whenever that can be your first page, it’s a pretty good sign.”

– Robert Kirkman on the upcoming Marvel Max ‘Destroyer’ series

PCZ: With ‘Waking Dead’ and ‘Invincible’, which are two of your longest running books, there are quite a few changes happening right now. A number of characters in ‘Walking Dead’ have been killed, Invincible is getting a new costume… what’s driving all these changes?

RK: Well, you’ve got to shake things up… you’ve got to keep it fresh. People who read the book like the book for what it is. If you don’t change things then after a while things start to get kind of boring. You can’t just do the same things over and over and over again. So, when I reached issue 50 (for both books) I stepped back and took a look at things and said “what can I do that’s different?” But not too different, you know? Because I don’t want to drive people away by changing the book too much. The book is obviously working as it is or it wouldn’t have lasted as long as it has. But I don’t want to feel like I’m sitting on my ass, letting the book just sell itself. It’s hard to look at both books and decide what I can do now that’s still cool. Being able to have the books last that long and have that much back story does allow me to do things that I couldn’t do when I was starting out. I think that, going forward, both books after issue 50 will be much richer and have more depth. I’ve got some very cool stuff planned for both series so I’m really excited to see them last for as long as they have. I think we’ll make it to issue 100 pretty quickly.

PCZ: In the Marvel panel yesterday, you talked a bit about the upcoming Marvel Max series you are writing which features Destroyer. It sounds like you are bringing back one of Stan Lee’s first characters with this five-issue series.

RK: Yeah, according to Wikipedia he’s one of Stan’s first characters. I haven’t asked Stan though.

PCZ: Is this book something that you pitched or did Marvel come to you with the idea?

RK: That started with my editor who worked with me on ‘Ant-Man’. He said had read ‘Brit’ and said “Brit is a real kickass book about an old man. Would you like to something else about an old man kicking ass?” I thought about it… and I said “yeah, I do!” Mainly, to work with Cory Walker again, because he had done some issues of ‘Ant-Man’ and I was looking forward to working with him again… it would be fun. So, I came up with some really cool ideas for it and I brainstormed a lot with Cory… we’ve got a lot of cool stuff planned. It’s going to be a really dark, dramatic series. It’s about a superhero at the end of his life. He’s in his 90’s and finds out that his heart is about to fail. So his villains aren’t left to take over the world when he’s gone, he decides that he’s going to hunt them all down and murder them. So, it’s five issues of him hunting these villains… when he’s 90. But he’s still got his superpowers.

PCZ: A lot of your books focus on some of the more hard-core, visceral themes in comics. Is this something that drew you to working within the Marvel Max line? Would you be interested in tackling other characters within Marvel Max?

RK: Yeah, I like the Max line and I wouldn’t be opposed to doing more books. The things that we’re going to be able to do in ‘Destroyer’ are going to shock a lot of people, so I like that aspect of it. The first page shows the main character punching a hole through somebody’s head. Whenever that can be your first page, it’s a pretty good sign. It’s pretty exciting stuff.

PCZ: Do you have any updated information about the ‘Killraven’ book you are doing with Rob Liefeld?

RK: Yeah, totally. He’s knee-deep into it. He’s pretty much done with the first three issues. We’re going to be moving forward now. Jeph Loeb was I guess a little bit late with his ‘Onslaught Reborn’ script, so we started issues one and two while he was working on that, so we’ve got a good amount of lead time. Hopefully it will come out around the end of the year.

PCZ: Do have more ‘Marvel Zombies’ planned, or is that line done for now?

RK: It’s possible but I think we’re going to let it rest for a while. Series two definitely had an open ending, so maybe someday. But right now there are no plans.

We’d like to thank Robert Kirkman for taking a few moments at this year’s Emerald City Comic Con in Seattle, WA to chat with us. For updates on all of Kirkman’s projects, ramblings and musings, check out his Kirkmania website.

ECCC ’08: Josh Medors Auction Raises $10K+

Great news from Image Comics today. If you are able, please give to help out Josh.


Even more auctions to come to support Medors!

May 15, 2008 (Berkeley, CA) – This past weekend the Emerald City
ComiCon and Frazetta Comics run Josh Medors Benefit Auction raised
over $10,000 for the FRANK FRAZETTA’S SWAMP DEMON artist in his fight
with cancer.

“The response of the comics community and fans alike has been
amazing,” Medors said. “The money raised not only helps out with
medical expenses, but it also takes a great weight off my shoulders
and helps me focus on what positives I can. I could never thank
everyone enough for what they have done for me.”

What started off with a couple of e-mails and phone calls to a few
friends turned into a mega event, with over 130 lots of donated
original art, books, prints, posters, toys and statues all sold at
the auction. Fans unable to attend the event can still support Josh
in the Ebay auctions, an original John Romita Sr. Mary Jane sketch,
Willow Creek sketch books by artists such as Eric Powell, Tim Vigil
and an the opportunity to appear as a zombie in THE WALKING DEAD.

“Please, bid high and bid often, it’s for a good cause,” WALKING
DEAD creator Robert Kirkman said. “To benefit Josh Medors in his time
of need we’re auctioning off a chance to have you (yes, YOU) appear
in The WALKING DEAD as a zombie. You’ll get a good appearance, and a
good kill, it’s not just a background thing–you’ll get a full
appearance that people will see–I promise.”

Frazetta Comics Editor/Artist Jay Fotos added, “The auction went off
without a hitch even though it was completely overwhelming. We had a
small timeframe to auction and a large amount of donations, with
people donating lots even during the auction! I can’t thank enough to
Jim Demonakos and all the ECCC staff that donated their time to help
the auction move along smoothly. My hat’s off to them, as this was
all truly inspiring.”

Monetary donations to Josh can be made via PayPal to All items are searchable under “Josh Medors
Benefit Auction”.

ECCC ’08: A Conversation With DC Comics’ Ian Sattler and Dan DiDio

Last Sunday at Emerald City Comic Con, Pop Culture Zoo was able to talk for a few minutes with DC Comics Executive Editor Dan DiDio and Senior Story Editor Ian Sattler. The enthusiasm, respect and commitment that these two have for the DC Comics universe and its characters is very evident and infectious. You may not always agree with them, but I really do think they are trying to tell the best stories while staying true to both the characters and fans.

That said, check out our interview with Dan DiDio and Ian Sattler from DC Comics!

PCZ: Let’s start off with the big one: Why bring back Barry Allen now and whose idea what is to do that?

Ian Sattler: (looking quizzically at Dan) Are we bringing back Barry Allen?

Dan DiDio: (looking puzzled) I don’t remember ever saying we were doing that.

IS: Did we say that?

(laughter between all three of us)

PCZ: I couldn’t help it, ok.

DD: That’s ok.

PCZ: Final Crisis, by the nature of its name, would seem to indicate that this is the final Crisis. Would this indicate that this is the last big summer event from DC for a while? Or is this taking fans further down the road of what you guys have planned?

DD: I wouldn’t say this is the last big event for a while, but it certainly is the final Crisis. You know, I have what’s called the official and unofficial trilogies of crisis and this is the end of the official trilogy. And what you see is a number of things that had started with the original Crisis on Infinite Earths really coming to fruition and to closure here with Final Crisis. From our standpoint, for as long as we know, and hopefully, for as long as we’re around, this will be the final Crisis.

IS: But there’s more seasons than summer for events.

PCZ: Are we looking at another reorginization of the mutiverse?

DD: Well, that makes the assumption that the multiverse survives (laughs).

PCZ: I gotcha.

DD: So, that’s another question that’s out there. There is a definite resolution to the story of the multiverse. There’s a definite resolution for a number of our characters and there’s an incredible launching point that really sets the direction for the DC Universe coming with the conclusion of Final Crisis. Like I said, you were talking about events before, we joked through it, but we’re serious when we say the main thing about events for us is that this is something I think the fans truly enjoy and our goal is to find ways to change it up… to give a different flavor, to give a different feel. So, the events will always be there, but hopefully it will be different styles, different sensibilities and different types of stories so (fans) don’t feel tired or burned out by reading them.

PCZ: I think it’s interesting, I know it’s a small portion of the fandom, but online it’s like everybody complains “ah, they’re doing another event, another crossover”, but the numbers don’t lie.

DD: The numbers don’t lie, but the reality is also they’ve got to be interesting and there was a point if you go back the late ’90s where there was event fatigue and people did get burnt out. Actually, when I first started at DC Comics in 2002, we didn’t do any events or any crossovers until 2005 or 2006, I think it was. We actually let it go for awhile because they were just going through an event and having events for events’ sake and I don’t believe that’s the way to do anything. It’s got to come naturally from the story, naturally from the characters and if it’s going to be big it’s because of what’s happening and who’s involved.

PCZ: Was it in the back of your head when you came on board and that there was going to be a sequel to Crisis on Infinite Earths for the 20th anniversary?

DD: Speaking for myself, when I first joined the company I always wanted to revisit that territory. When I started with the company, I looked at the defining moments, the things that made DC unique and set it apart from the other companies. Crisis on Infinite Earths was a defining moment for the company, so it would be foolish for us not to build off of what we deemed our great successes.

PCZ: So now jumping over to Trinity for a minute, is that going to be an ongoing or is that just for a year as well?

IS: One year.

PCZ: Based on that and the success of both 52 and Countdown do you see a weekly comic being a mainstay at DC?

IS: I can’t let Dan answer that question. (laughs)

DD: (laughs) I absolutely do and I don’t know if I’ve ever said it, but I’ve alluded to the fact that we’re already thinking of what a fourth weekly would be… the one after this. And, again, just the same way it is with events, so it is with weeklies. The goal is to change the focus, to change the direction, but keep the level of importance when you create a story like that so people do want to come back weekly. I love the distribution system we have, which is a weekly system. People are very, very supportive of that. They go into stores every week to look for our comics, what I want to do is give them a reason, something to find every week that they’re looking forward to and that’s what we try to build with these series.

IS: Along what Dan was saying, Countdown felt different than 52 and Trinity feels different than both of them and that’s what we’re really striving for with this. We’ve got Kurt (Busiek) and Mark (Bagley) on the lead story and it’s very focused on Wonder Woman, Batman and Superman as they impact the universe and the universe impacts them. Trinity is very different and the similarity is it’s shipping (frequency). That’s it.

DD: Between the three series the only thing really in common about the three is that they take place in the DC Universe and they come out weekly.

PCZ: That’s what’s been great about them. It’s not just a continuation, it’s a new reason to buy a weekly book.

IS: This doesn’t feel like either of the other two.

PCZ: Is Trinity also leading to a particular place?

DD: Absolutely. The thing is with Trinity is it takes place within the DC Universe, it takes place within DC continuity. It doesn’t run concurrently with the events that are taking place in Final Crisis, but things that happen in Trinity do affect the other books and, more importantly, the conclusion of Trinity is another important spot for the DC Universe… where we grow from there.

PCZ: Would there ever be the thought of adding a second weekly?

DD: It’s a little too much overkill. If you look back at the two cases of weeklies prior to this there was Action Comics Weekly that DC did, which was really just basically a series of anthologies strapped together on a weekly basis. Then you go to the triangle version of Superman with the books coming out week by week, going from title to title but telling one complete story. You might see some more of that because of the way that Geoff (Johns) and James Robinson are working on Superman right now, it might get the feel of something that might be coming out weekly or twice monthly.

IS: I can strongly hint at that feel.

PCZ: I’m glad you guys are bringing that back, too, it’s nice having the Superman books being cohesive.

IS: I’m a big fan of it.

DD: He loves it.

IS: I just get the biggest smile on my face talking about this. What those two guys are doing and what we have in store for ’09 and beyond with Superman, Action and Supergirl and some of the events that we have stemming out of the books as we start tying them together. I… wow, I’m stoked for what we have coming out of those books and how they’re tied together.

DD: Ian had the good fortune of sitting in on the Superman story meetings that took place with James and Geoff and the editor Matt Idleson and they presented him with the entire story and how it basically flows from now until the end of 2010.

PCZ: That’s how far you guys are planned out?

DD: Yeah!

IS: Yeah. It’s all locked up with some other stuff we have going on in the universe.

DD: More importantly, the two creators in Geoff and James, are both committed to the story. That means they’re both committed to the projects through the end of 2010.

IS: They’re just getting warmed up. It’s hard for me to stand here and be like “it’s going to be pretty good.” It’s going to be awesome.

PCZ: So, do you guys realize that you have the coolest jobs on the planet?

DD: From my standpoint, the good part is that we joke about this all the time and say when we get all worked up and we argue about what Superman should do or what Batman should do, we always take a break and say “do you realize what we’re discussing and this is our livelihood?” It’s funny because we’re about to step into a panel which is called For the Love of Comics and part of that idea that started this panel is we realized we’re doing something we truly love and something that was part of our lives for so long and sometimes you take it for granted. Every once in a while you need to step back and realize what you’re actually doing and who you’re doing it for and how much fun it is.

IS: I’m newer to the job and one of the things that first hit me is the responsibility to the characters and to the fans. The first day that settles in on you, it’s not just like “yeah, it’s gonna be awesome if we have this guy fight that guy!” We’ve got to do this right.

DD: The funny thing is when we sit in a meeting and go “this happens to Batman,” and (Ian) stops and goes “can we do that?” and we all stop and go “uuuuh, I guess we can.”

IS: Dan will say something insane, which he does everyday, and I go “can we do that?” and he’ll go “yeah, we can do that” and I’ll go “should we do that?”

DD: Which is a different question.

IS: In my short time with him some of the stuff that I felt was the craziest when it started is the stuff I’m most excited about now. So, that part of things is nuts.

PCZ: You guys probably have too much fun sitting there doing things like Rip Hunter’s board. Knowing what’s in there and what people aren’t going to see.

IS: That part’s fun.

DD: I do, I love the word games. I love the teases because that’s what I enjoyed when I was a fan, the figuring it out and being part of this process. Again, this is so interactive in certain ways in the sense that people have this intimate knowledge of our characters, even more so than we have, in some ways. We’re invested across the universe, we have to understand the entire piece, but some people just invest in a certain character and they know those characters better than we do ourselves. God bless the internet for that.

PCZ: I think you’re doing a really great job of mixing in just enough to get people interested without giving too much away or going overboard.

DD: The funny part about it… I always use this story, this actually goes back to the first year I started with DC sitting with Paul Levitz and we were talking about continuity. Big issue, we had very huge discussions about the importance of continuity, how much you should adhere to it, what is essential. Paul related a story to me when he was working on Legion of Super-Heroes. First of all, he said there’s three layers of continuity. First is what’s essential, what doesn’t change. The immutables, you know… rocket to earth, parents shot coming out of a theater. Understandable, got it. Then there’s second level continuity, the things that add value to the series. Barbara Gordon becomes Batgirl, Robin is a team-up member, these are things that happen. Then you have things that are stories that are just told for stories sake.

So, Paul relates a story about doing Legion of Super-Heroes and one day he decided to do a story to explain how the Legionaires were still teenagers. There’s one issue of Legion of Super-Heroes where you find out they’re actually hundreds of years old and somehow they’re being kept young. And he said they do the story, they print the story and it comes out and he picks it up, reads it and goes “wow, this is really a bad idea” and he never refers to it again. So, the concept is that it’s not we try to discount or discredit things that we feel don’t add to the lore, but we choose to push it aside and work around it. That way, those people who enjoyed that particular story, even tough we’re not embracing it, don’t have that taken away from them. But at the same time we find ways to move the lore of the story telling forward without that hindrance in the way.

PCZ: I think that in DC books right now there’s a lot, like you said going into Infinite Crisis, you’re going to bring back a lot more of a lighter feel… a lot more fun. To me personally, a lot of books feel almost like the silver age.

DD: Ok, let’s clear that up, because I disagree with you on both parts. Lighter, more fun feel is an area that is open for interpretation. Comedy comes from character, comedy comes from personality, comedy comes not from situation. When we were doing the later days of Justice League International and things of that nature they’d create situational comedies where they’d put the characters in ridiculous situations and had funny things happen. We stay away from that dramatically. I don’t find that funny. I find it detrimental to the character, not helpful. But if a character is in the middle of a dire situation and decides to crack a joke to lighten the tension then that sense of comedy works fine for me.

And then I’ll argue the silver age part. When people say “oh you’re getting silver age” I don’t understand what that means. Sure, some of these characters were created in what would be deemed to be the silver age and just because we’re working stories with them right now doesn’t make the DCU silver age. It just means we’re working with characters that existed then. If that was the logic then the entire Marve line would be a silver age line at this particular moment because all those characters were created then, yet nobody calls Marvel a silver age line and I don’t think they should do the same to DC.

PCZ: Where I was going with that is there is fun in the sense of fans saying that they can’t wait for the next issue of Green Lantern because it is a blast to read.

IS: Adventure is fun. Action is fun.

PCZ: The silver age reference was more in the sense of not being restrained or keeping the characters in a tight little envelope. You guys are like “let’s do something new, let’s do something different”.

IS: Yeah, we’re bringing it pretty heavy on that front.

DD: Like I’ve always said, the strength of DC comics, more so than the other universes that exist out there, is the scope of the storytelling, the spectrum of stories you can tell. We can tell stories that are buried in the magic and mystic realms of the DC Universe up to space and science-fiction. To me, we want to always show the scope and width of the universe. Not that it’s a bunch of guys sitting in a room together talking to each other consistently about things, but more so that the action is taking place and we’re showing the scope of everything we have with us.

PCZ: Going along those lines, you’ve been pretty all-encompassing within the DC Universe. Are there still any places that still need more attention or any characters that really need to be focused on?

Pauses from Dan and Ian.

PCZ: Aquaman?

DD: (laughs) You should have been at dinner last night.

IS: (laughs) Yeah, we had that conversation last night.

DD: No, one of the things I like… I loved what Greg was doing and started to do with Checkmate and some of the areas I think I want to show are the international aspects of the DC Universe from a much more grounded level than what it is. A much more meta-human level, as we would say. So that’s one of the things I want to start to explore a little bit more and similar to what we did in things like Rann/Thanagar and Reign in Hell. We’ll probably try to build stories that play upon that and those thematics as well.

IS: Along what you were saying, too, you’re going to see some elements of that in Final Crisis. They’ll creep in and then all of a sudden as the story progresses you’ll go “ah, woah!” and it starts to build. Grant’s layered some pretty amazing stuff on that level. We have a very focused event with Final Crisis and some of the stuff that’s outside the main book tackles some of the stuff you’re taking about too. I’d be curious to hear you ask that question in October.

DD: October 27th, actually.

IS: Yeah, and it turns out that the 27th is a Sunday or something.

DD: We have comics coming out on a Sunday?

PCZ: Sunday? I’ll still be willing to call and talk about it.

IS: Well, that’s during football season so I won’t even answer, I take that day off. (laughs)

DD: He’s not available. (laughs)

PCZ: Thanks very much to both of you for taking some time to chat.

DD: My pleasure.

IS: Thank you.

PCZ: Is there anything else you’d like to add, tease or throw out?

DD: No, I threw out everything.

IS: Final Crisis is awesome. Unlike everybody out there, I’ve read it, and it’s amazing. I can’t wait for people to read it, I’m literally hopping up and down, I can’t wait.

PCZ: Well, hopefully we can talk a little further along after it comes out..

IS: Yeah, please.

DD: That would be great. Talk to us after evil wins and we’ll see where we go from there.

IS: October 27th, evil wins.

DD: At 12:15.

Special thanks to Matt Brady at Newsarama for helping to make this happen.