Category: Film

POPCAST Dispatch 07: The Ubiquitously Ubiquitous Hour

This week Mike and Joe talk about the new fall TV shows that have caught their eye as well as reviewing the latest episode of Doctor Who. You want more? Let’s see…well, Joe brings back a 25 cent word and Mike reveals what he thinks of the Riddick franchise. And somewhere during the show the guys attempt to express their love for Pacific Rim and fail to be eloquent. Yes, it’s that kind of show. Enjoy!



Old Trekkie, New Universe: How I Learned To Stop Worrying And Love Abrams’ Trek

I am forty years old and have quite literally been watching Star Trek as long as I can remember. I must, alas, admit that by accident of late birth I did not catch Star Trek in its original airing. However, some of my earliest TV memories are the animated series (I was born in 1972 to save you the math) and reruns of the original. I was a child in the ‘70s running around with my Mego phaser toy that shot little discs and my Dad had built the old AMT model of the Enterprise, which on rare occasion I was allowed to zoom around the room under careful supervision. Additionally, my Dad gave me the Science Fiction Book Club edition of the Star Trek Reader which collected three of the James Blish prose adaptations of the classic episodes. I read it and I kept reading it, until it fell apart. I still have that original gift from my now departed Dad held together with electrical tape from a poor 12-year-old’s rebinding.


Then, in 1977 I saw Star Wars and most of my interstellar travels involved the cockpit of the Millennium Falcon rather than the bridge of the Enterprise. I did though pay close attention to The Motion Picture when it came out, and later The Wrath of Khan. I even got the Dinky toys die-cast 1701 to woosh around any time I wanted, and periodically hyperspace had to make way for Warp Speed.

Then, Christmas of 1983 my Dad — much to my Mom’s chagrin — continued to further his over-smart, under-sized son’s development by buying me the Dungeons and Dragons Basic Set in the red box. I found l really liked role-playing and saw ads in the included flyers for TSR’s Star Frontiers. As much as slaying orcs was cool, rolling the dice to ply the spaceways would be better, so I caught a ride to my local game shop with Mom to look for that. (She was convinced D&D would make me a Satan worshipper, so the jump to SF RPGs was highly encouraged.) I did not find Star Frontiers that day though; what I did find was FASA’s Star Trek: The Role Playing Game. With but a single Starfleet character generation, my love for the universe was reignited and despite Lucas’ best efforts I was once more in the hands of the Great Bird of the Galaxy.

Keep in mind we were still in kind of a Medieval Age of fandom. Sure, if you were near a city there were conventions, but if you were thirty minutes south of Sierra Vista, Arizona — itself at the time only a town of 30,000 or so — no one was throwing conventions or making clubs etc. My fandom came from scouring thrift and used bookstores to find old issues of Starlog, the rest of the Blish books, and finally little collections called Best of Trek.


Trek: The Magazine for Star Trek Fans started out as your typical fanzine and ended up running for nearly 20 years. A lot of the shared fan speculation now known as “fanon” came from articles in Trek and eventually its notoriety became great enough for the editors, G.B. Love and Walter Irwin, to start collecting well regarded articles into paperback book collections. As my own fandom grew in the years leading up to the debut of Star Trek: The Next Generation the Best of Trek volumes helped me fill in gaps left by the Original Series. They discussed things that seemed odd about Classic Trek and its two — then three — movies and made them work.

See, here is a dirty secret we tend to forget these days: Classic Trek was not perfect.

I love Classic Trek like I love my wife, kids, and dogs combined, but there are flaws. That’s okay though, because back in those days of fandom we didn’t sit around complaining about continuity fails on the part of Trek writers. We figured out how they weren’t failures. When Spock says in Classic Trek that Vulcan has no moon, but The Motion Picture shows one, an article in Trek magazine posited Vulcan’s sister planet of T’Khut. When “Turnabout Intruder” says women cannot command starships, but The Voyage Home has a woman in command of the Saratoga, Trek talked about why Janice Lester’s belief was part of her madness. We loved Star Trek so much we wouldn’t let it be wrong.

I realize I am nearly eight hundred words into this and haven’t started my argument, but I wanted to establish two things: I am a Trekkie (and I neither balk nor shy away from said moniker) from way back, and those things we love that entertain us deserve our protection rather than our derision. Now, let’s talk about JJ Abrams.


I saw the 2009 Star Trek film with one of my dearest friends, also a Classic Trek fan from way back. We went in prepared to hate the film. How dare this upstart Abrams — who damn near ruined Superman with a horrible script a few years earlier — think he can remake our beloved show? Arms crossed, I scowled through the Bad Robot stinger and then, well, I fell madly in love with this film. Yes, it was bigger, louder, and faster than the Treks we were used to, but the characters were there; more importantly the adventure so ingrained in Classic Trek, and perhaps lost in subsequent sequels, was also there. Even some of that fanon or pseudo-canon from the old days was there. A nearly exact update of the teasing Vulcan children from the Animated Series was there. The Katric Ark and Vulcan Hall of Ancient Thought from the novelization of The Search for Spock were there. We even, finally, got an actual first name for Nyota Uhura. That’s right; no previous canon version of Trek had given us that.

Yet, I saw some things that made me go “grrrr” from the continuity perspective as well: The Enterprise launched in 2258 and it’s now bigger than the 1701E from a century later? The Kelvin has a crew of 800? Chekov is 17 when he was born in the Prime universe only 13 years earlier? Engineering looks like a brewery?

Honestly a few of these changes happen because of the chosen visual style. The Narada is a “simple mining ship” but looks like a nightmarish behemoth easily dispatching older warships. It looks that way so the bad guy is scary. Enterprise was originally going to be about the same size as its classic counterpart, but the physical shuttle set was much larger than the classic shuttle and therefore led to a scale increase in the CGI model. That’s nothing new to Star Trek however. Fanon found it necessary to create three different models of the Klingon Bird of Prey, identical in appearance but completely different in size, to account for different directors in episodes or films choosing to film the single model at different scales. In First Contact the Defiant is reduced in scale to appear tiny next to the Enterprise E during the Borg battle. I won’t even discuss how Voyager’s Delta Flyer would not fit in an Intrepid Class shuttle bay. I argue though that rather than just ignore some stylistic changes there’s a better option: go old school, and give some Trek Magazine like explanations.


How does the Kelvin, which should be unaffected by changes until the arrival of the Narada, have 800 people on board? Don’t assume it’s a standard fleet patrol. It’s assigned to colony duty. A vessel would drop a colony, ferry supplies and then likely remain assigned to an area of space to protect said colony. When we catch up with the Kelvin it is about to drop its first group of colonists and equipment and then head back to Earth. The Kirks plan to stay on Earth for the birth of their second son, but the Narada attack sends her into labor early. (That may not be necessary to resolve the story change; James Kirk never says he was BORN in Iowa, only from there. I’m from Arizona, wasn’t born there.) What colony could the Kelvin be attached to? Obviously it was Tarsus IV. We know Jim Kirk is living on that failed colony in the Prime Universe when he is 12. Why? Because his family, still assigned to the Kelvin, will be patrolling that sector and he is a Starfleet brat. This explains the enormous compliment on the Kelvin, and ties nicely to canon on the original series.

So why is the 1701 suddenly so damn big? I see two logical reasons. Remember in the canon universe, no one really knows in 2233 what a Romulan looks like. The Kelvin gets Romulan language transmissions from the Narada, establishing this doomsday vessel has come from one of Earth’s oldest enemies. No one in the Fleet recognizes the Narada has come from the future until 2258, which means Starfleet has to assume the Romulans may have an entire fleet of five-mile long killer ships massing on the far side of the Neutral Zone. The Abrams-verse Starfleet would have a completely different attitude from the Prime Universe. They are also going to need more tech. Luckily, 800 (or slightly less) people survive the Kelvin with all of that sensor telemetry. Retroengineering that data takes some time, so rather than the 289 meter 1701 rolling off the assembly line in 2245, the future enhanced version takes until 2258 to complete. The Narada data would change all Fleet tech on some level, as would a stronger focus on weapons technology. Hence, everything from transporters to torpedoes to phasers are different. (Some of the spoilers I have seen for Star Trek Into Darkness would indicate this trend continues.)


How about the brewery? Not my favorite part, but it is there. The Narada itself is the source of this particular switch. We see she is a fairly unfinished looking beast, but aspects of that design are going to be driven by the tech. Some of those aspects will make it into the tech derived from those scans, hence an unfinished looking Starfleet engineering section. The Narada itself? A killing machine dubbed “simple mining vessel”? I know we have the explanation in the Countdown comics of Borg technology on top of what was once a mining ship. However, I think that was Kurtzman and Orci bravely doing what I am doing here; offering in universe explanations to stylistic decisions, and I respect that. Let me say though, I don’t think you need it in this case. The Narada is a mining ship, but what does it mine? Likely asteroids: Huge chunks of planetary matter. Of course it had giant grabby arms on a five-mile long frame; it needs to hold enormous space rocks in place. It has a laser capable of drilling through a planet’s entire crust. It has missiles capable of breaking big planetoids into little rocks. This thing really would need Doomsday Machine like capabilities depending on its mission. The interior simply proves that Romulans have no OSHA. Otherwise, more handrails I think.

And Pavel Chekov? The Star Trek Chronology by Mike and Denise Okuda give Chekov’s birthday in 2245 based on the episode “Who Mourns for Adonais?” in which Pavel is 22 years old. 2245 is extrapolated from the idea that season two of the Original Series took place in 2267. Here is a simple fact though: nearly every date in the Chronology for Classic Trek history is supposition based on Data placing the first season of The Next Generation in 2363 in the episode “The Neutral Zone.” When Roddenberry first created TNG he put it 79 years after The Voyage Home (roughly 2284). From there we only have generalizations on when things were supposed to have happened. The Wrath of Khan was likely about a year prior to The Voyage Home. In that film Kirk states “a man out there I haven’t seen in 15 years is trying to kill me.” That would put “Space Seed” from the first season of Classic Star Trek in 2269. My point is not to show how wrong everything is, and my respect for the works done by the Okudas to assemble their encyclopedia and chronology is profound. Many of these dates are nebulous however, and it would be no great stretch to place the original five year mission at least a hundred years before TNG. Just moving the first season to 2263 makes Chekov 22 in 2264 and brings us within 18 months of the 2258 date for the modern film.


That brings me to my final point. I railed against Star Trek: Enterprise for its seeming continuity violations even in episodes I found entertaining. What should my focus as a fan be? Yes, consistency in character and story telling is important, but any narrative when it gets long enough begins to have holes: Star Trek, comic book histories, Doctor Who, real history. All of these long narratives have details that don’t jive with other details. We as fans can decide we hate something pretty entertaining because it doesn’t line up with our own interpretation of previous stories, or we can try to figure out ways it does. That’s why Trek Magazine existed. That’s why Marvel handed out “no prizes.” That’s why we still mourn the Ponds even though the Statue of Liberty can’t possibly be a Weeping Angel because it’s made out of copper and not stone. Star Trek has been around long enough to tell some pretty diverse stories in some pretty diverse ways. Let’s give people who are trying to mold stories out of the existing eight-hundred hours of Trek the benefit of the doubt for trying to actually entertain us. I am not saying you have to like Abrams’ vision, but it is Trek and worth at least a fair comparison with other versions. As a long time fan I will be first in line when Star Trek Into Darkness opens, hoping to revisit new takes on old friends and see some great new Star Trek.

You better not screw it up, JJ.

Marvel Movies Phase 2 Kicks Off In Style With Iron Man 3


Shane Black faced a daunting task. Not only did he inherit a well-established franchise, but Iron Man 3 would also be the first Marvel film since the insanely successful Avengers film. I’m sure many folks have been wondering if he would be able to deliver a sequel that was not only better than it’s predecessors, but that could also kickstart Marvel’s Cinematic Phase 2 series into high gear. Two years ago I wrote an article on the reasons why Shane Black was the perfect director to take over Iron Man from Jon Favreau. You can read that here. Now the world can see for itself as Iron Man 3 has hit theaters. So, the question remains, how did Shane Black do? Pretty exceptionally, as it turns out.

Obviously, the first two Favreau-directed Iron Man films had a very specific tone and rhythm to them. Black deftly handles keeping the feel of the first two while also bringing his sensibilities into play. He wisely is able to forego any sort of ego in order to recognize what makes a great Iron Man film. While Favreau leaned more towards improvisational dialogue it’s clear that, while some of that remains, this time it was more tightly scripted. Honestly, I think the film is better for it as I felt the second film almost went to far with the loose talk. The banter here feels sharper and less rehearsal-ish, if that makes any sense. Basically, we just got our definitive Iron Man film, one that doesn’t feel out of place in line with the other two and gives us a shining bookend to the first.

Iron Man 3  Iron Man/Tony Stark (Robert Downey Jr.) Photo Credit: Zade Rosenthal  © 2012 MVLFFLLC. TM & © 2012 Marvel. All Rights Reserved.

As for the story, the film opens thirteen years ago, literally at the very end of the millennium. Amidst the revelry we see a familiar face and meet a couple of new ones. The familiar person plays nicely into the first film, while the other two show up later in the present day. After the flashback, we arrive in 2013, to find a broken Tony Stark, basically going through PTSD due to the events of Avengers. He can’t sleep and he’s building and refining new suits of armor at an alarming rate. Tony is having frequent panic attacks and can’t shake his near-death experience through a wormhole. He is obsessed with protecting those closest to him, namely Pepper Potts, but his very actions seems to be driving everyone away. At the same time, the Mandarin has made his presence known on an international scale with a series of bombings using an unknown incendiary device and directly threatening the US President. When the Terrorist makes it personal with Stark, the Industrialist finds himself more lost and alone than he thought could be possible. Heavy metal super-heroics ensue and I leave the resolution for you to discover for yourself.


The acting is superb in this film. Robert Downey Jr. and Gwyneth Paltrow are very comfortable as Tony Stark and Pepper Potts, making their fourth appearances as their respective characters. The chemistry between the two is as sparkling as ever. Don Cheadle makes his sophomore appearance as James Rhodes and while he doesn’t get a tremendous amount of screen time he certainly makes use of it. Guy Pearce never lets Aldrich Killian descend into a one-note character and James Badge Dale makes you wish his character had more to do. However, Ben Kingsley nearly steals the movie at least a couple of times as the uber-terrorist, The Mandarin. From the trailers and previews I honestly thought he was going to be the weakest part of the film, but he is actually pretty phenomenal. You’ll have to see for yourself as to why I think that. Of course, it is always fun to see Jon Favreau’s Happy Hogan, especially with his flashback mullet.


Overall, this is a terrific film, full of humor, drama, heroics, twists, turns and surprises. Iron Man 3 not only serves as a boost or adrenaline for Marvel Movies Phase 2, but kicks off the summer movie season in fine fashion. Iron Man 3 also works extremely well as a bookend to the Iron Man series and makes the perfect ending to Tony Stark’s cinematic journey. This is definitely a case of a sequel outshining what has come before and raises the seemingly insurmountable bar set by Avengers to new heights. Tony Stark and the Marvel Cinematic Universe have never looked so good. And, as always, be sure to stay all the way through the end credits for a little extra treat followed by a promise for the future.

"Marvel's Iron Man 3"Pepper Potts (Gwyneth Paltrow)Ph: Film Frame(C) 2012 MVLFFLLC.  TM & (C) 2012 Marvel.  All Rights Reserved.

Captain America: Winter Soldier Begins Production

We all knew it was happening, but it is still exciting to get the official start of production announcement on a highly anticipated film. Captain America: Winter Soldier has started production and Marvel Studios/Disney have released the first behind-the-scenes image (see below). Additionally, we have a little insight as to what the film will be about, although those who have read the previous Captain America comic book series have a pretty good idea of what to expect.

Captain America: The Winter Soldier will pick-up where Marvel’s The Avengers left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.

Captain America: Winter Soldier hits theaters in a year. The film stars Chris Evans back as Cap, Scarlett Johansson as Black Widow and Samuel L. Jackson as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce. The rest of the cast includes Sebastian Stan as Bucky Barnes/Winter Soldier, Anthony Mackie as Sam Wilson/Falcon, Cobie Smulders as Agent Maria Hill, Frank Grillo as Brock Rumlow, Georges St-Pierre as Georges Batroc, Hayley Atwell as Peggy Carter, Toby Jones as Arnim Zola, Emily VanCamp as Agent 13 and Maximiliano Hernández as Agent Jasper Sitwell.


Star Trek Rumors And Chinese Whispers

Earlier today, Pop Culture Zoo posted a MAJOR SPOILER RUMOR for the new film Star Trek Into Darkness. As TrekMovie verified, and we can now confess, it was one big hoax. Friend of PCZ, Rich Handley, and myself, Joe Dilworth, conspired together to create a plausible rumor with the sole intent of seeing how far it would go.

Why would we do such a thing? I can only speak for myself, but basically it came down to being tired of seeing the same old rumors repeated ad naseum. Specifically, the Khan rumor. Everyone is swearing up and down that the people making the movie have not only said Khan is in the movie, but that Benedict Cumberbatch’s character is really not John Harrison, but Khan. Or Gary Mitchell. Or Garth of Izar. In fact, no one from the film has said anything of the sort. There was a story many, many months ago citing an unnamed source involved with the film as saying someone from the Original Series canon would be the villain and even named some characters…none of which were Khan. However, this source was never named or verified as an actual person working on the film. And yet, this rumor of Cumberbatch’s Harrison secretly being Khan has persisted, to the point of people claiming it is fact, although there is not one shred of evidence that he is anything more than a new character called John Harrison, something that the studio making the film has actually revealed.

So, yes, my article was fabricated to prove a point. Anyone can extrapolate a theory based on known information, claim to have spoken to someone working on the film who is credible and legit and post it to the Internet for all to see. That doesn’t make it true. I have no problem with folks dissecting information revealed from actual people who go on record, but when anything posted about the film becomes a rant against something that was never said, but accepted as “something we all know as fact”…well, that’s when I despair for fandom. Those already hating Star Trek Into Darkness based slightly on the scant amount of footage we’ve seen, but mostly on things that are pure unsubstantiated speculation need to take a breath and just relax. Judge the finished product once you’ve actually seen it, all right? Otherwise, why are you wasting so much time and energy on something you clearly are getting no joy from?